Marquinhos de Oswaldo Cruz

In 1995, Marquinhos de Oswaldo Cruz was among the sambistas who revived Pagode do Trem, a feast proposed by Paulo da Portela in the ’30s where the rodas de samba (samba get-togethers) were kept in the trains that brought the workers back again to their faraway working-class suburb of Oswaldo Cruz after each day of intense work. Following the institution from the Country wide Day time of Samba on Dec 2, Marquinhos de Oswaldo Cruz suggested the annual commemoration from the Pagode perform Trem on that day. The theory was sponsored from the state government now, after four in the afternoon, trains departing through the Central perform Brasil train station (Rio) possess each of their wagons responsible for playing skilled and traditional samba organizations like Tia Doca, Semente, Cacique de Ramos, Velha Guardas da Portela, Velha Guarda perform Império Serrano, and Escravos da Mauá, amongst others. Like a composer, Marquinhos de Oswaldo Cruz got his “Uma Geografia Popular” (with Edinho Oliveira/Arlindo Cruz) documented by Beth Carvalho on her behalf Pérolas perform Pagode (1998). With this same yr, he documented his “Luz de Verão” (his lyrics posthumously put into Candeia’s music) for the Compact disc Eterna Chama/Candeia 20 Anos. In 2000, Marquinhos’ “Verde Bandeira” (with Luís Carlos Máximo) was documented by Dorina on her behalf Samba.com de Dorina. Also in 2000, Marquinhos got his first single recording released, where he interpreted his compositions like “Décima Sexta Estação,” “Uma Geografia Popular,” and these “Luz de Verão.” In 2001, as well as Renatinho Partideiro, Marquinhos was presented in the display Uma Geografia Popular in the João Caetano Theatre (Rio de Janeiro).