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Mark Isaacs

b. 22 June 1958, London, Britain. Isaacs’ family members emigrated to Australia in 1963. He was trained tranquility and theory by his jazz musician dad and at age 12 Mark wrote a woodwind collection. During his schooling he was an after-hours pupil on the Sydney Conservatorium, learning piano and theory using the eminent Peter Sculthorpe. By age 18, Isaacs was creating a simultaneous profession as a traditional and jazz musician. In 1979 his initial jazz solo record was released formulated with first compositions. In the first 80s he visited America to try out and continue his research, where he finished his Get good at Of Music level in the Eastman College of Music. His second recording, Preludes, was documented in Australia in 1988. Time for America, Isaacs observed his work, SO THAT IT Will, performed at Carnegie Hall from the Australian Outfit. In NY in 1988, Isaacs, as well as jazz veterans Dave Holland and Roy Haynes, documented Encounters, an impromptu recording of jazz originals. The recording was a significant breakthrough for Isaacs and heralded him as a significant talent. Then created a trio with Adam Armstrong (bass) and Andrew Gander (drums), which toured European countries. This device captured Isaacs at his maximum of innovative flair and specialized virtuosity and in 1993 they toured Russia playing 24 concerts in 17 towns. Isaacs also performed his personal piano concerto using the St. Petersburg Condition Symphony Orchestra. ‘Playing the same piano that Rachmaninov and Shostakovich performed was quite an encounter’, says Isaacs, who finished his Russian tour with five trio concerts in Moscow. In 1995 ABC Music released a four-album group of originals, Air flow, Earth, Open fire and Drinking water, collectively entitled The Components. The work presented an introspective Isaacs in the piano and his response towards the transcendent and religious potential of music. In 1996 he was organizing for the Australian Artwork Orchestra, dealing with his trio and contemplating composing an opera. In the same 12 months he was granted a two-year Music Fellowship from the Australian Council for the Arts. In 2003, Isaacs was commissioned from the Melbourne Symphony Orchestra to create a concerto for trumpeter Wayne Morrison. An excellent jazz piano participant and composer, Isaacs personifies a fertile and innovative amount of Australian improvised music. His uncle was the guitarist Ike Isaacs.

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