Mario Quintero

Probably one of the most popular and controversial Mexican songwriters of his era, Mario Quintero rose to popularity within the mid-’90s because the leader from the wildly successful norteño music group los Tucanes de Tijuana. Quintero’s biggest strength was composing the narco-corrido, or medication ballad, a modern-day type that paid tribute to smugglers and medication lords in quite similar method that traditional corridos chronicled the generals, bandits, along with other durable frontier heroes who dared to rebel against approved authority. Narco-corridos have been around for a number of years, but Quintero’s included a few of the most explicit medication references that got ever been focused on record; his tales recounted the escapades of their personas with unabashed glee, romanticized their rules of honor, and — within their most radical break with custom — actually celebrated the pleasures from the medicines themselves. Regardless of the outcry on the moral articles of Quintero’s music, and an unofficial airplay ban in Mexico for the even more questionable outings, los Tucanes de Tijuana became possibly the best-selling norteño band of the past due ’90s. Quintero was created right into a musical family members and raised within a rural section of Sinaloa, a traditional western Mexican condition known because of its prominent function within the worldwide medication trade. In his early teenagers, he and his cousins transferred to Tijuana searching for factory work; in addition they had musical cable connections within their uncles, who performed within the regionally well-known norteño music group los Incomparables de Tijuana. By 1987, Quintero and his cousins had been playing jointly as los Tucanes de Tijuana, and in 1992, the 16-year-old Quintero penned their first nationwide strike, “Clave Privada,” a melody about medication sellers’ beepers. Their reputation exploded in 1995 using the discharge of “Mis Tres Animales,” a narco-corrido that cemented their taboo-breaking picture. A steady blast of strike albums and singles implemented, which produced los Tucanes among the hardly any norteño groupings to trust just one single composer because of its materials. However, Quintero composed more than simply medication songs; appreciate ballads and dance music helped broaden los Tucanes’ charm, specially the smash dance strikes “La Chona” and “Un Tucanazo.” Controversy dogged the group to a much greater degree carrying out a 1997 newspaper article that recommended that these were the favourite performers from the Arellano Felix brothers, Sinaloa’s most notorious alleged medication kingpins. Quintero merely took the episodes in stride and held carrying out what his viewers cherished, and in 1998 he gained a Songwriter of the entire year prize in his house country. 2 yrs later, he distributed a BMI award for Latin music’s Songwriter of the entire year with other hitmakers.