Home / Biography / Mario Bauzá

Mario Bauzá

A talented section participant who rarely soloed, Mario Bauzá’s primary importance to music was behind the moments among the primary instigators of Afro-Cuban jazz, the potent combination of Latin rhythms with jazz improvisation. A multi-instrumentalist, Bauzá performed clarinet and oboe using the Havana Philharmonic before shifting to NY in 1930. Throughout a stint with Noble Sissle in 1932, he turned to trumpet. As musical movie director with Chick Webb (1933-1938), Bauzá helped convince the drummer from the potential greatness of Ella Fitzgerald. He was with Don Redman during 1938-1939, and Cab Calloway (1939-1941). Bauzá was mainly in charge of Calloway employing Dizzy Gillespie, and in 1947 he’d introduce Gillespie to Chano Pozo. Bauzá became the longtime musical movie director of his brother-in-law Machito’s orchestra (1941-1976), motivating Machito to include jazz solos to his music. In the 1980s and early ’90s as the top of his personal Afro-Cuban orchestra, Mario Bauzá (who got long since abandoned playing trumpet) documented three superb albums of his preparations and lastly received some reputation for his essential efforts to music.

Check Also

Kid Vinil

Sponsor of several radio and Television rock/pop shows want Rock Display, Likidificador, Rock and roll …

Leave a Reply

Your email address will not be published. Required fields are marked *