Equally well-known like a singer so when a songwriter for other artists, Mariella Nava (Taranto, Feb 3 1960) debuted in 1986 composing a song for Gianni Morandi, “Questi figli”. In 1987 and 1988 she required part towards the Sanremo Music Celebration using the music “Fai piano” and “Uno spiraglio al cuore”, both contained in her first record, Per paura o per amore. “Dentro di me”, a melody included on her behalf sophomore work, 1989’s “Il giorno e la notte, was censored due to its explicit intimate reference, but because of journalist and showman Maurizio Costanzo, who frequently asked Nava in his Television show, it became her initial important success. The next implemented in 1991, when she came back towards the Sanremo Music Celebration with two music: “Gli uomini”, sung by herself and included on a single year’s Crescendo, as well as the poignant “Spalle al muro”, interpreted by Renato No, which completed second, this provides you with Nava an urgent celebrity. Within the same calendar year, she and No had taken part towards the Festivalbar using the duet “Crescendo. From that minute on, Nava effectively alternated the actions of songwriter (for famous brands Andrea Bocelli, Syria, Mietta, Loredana Bertè, Lucio Dalla among others) and vocalist. Between your 1990s as well as the 2000s she had taken part many times towards the Sanremo Music Celebration, completing third in 1999 using the melody “Così è la vita” and dueting with Amedeo Minghi on “Futuro con te” in 2000 — and for the time being she released the albums Mendicante e altre storie (1992), Scrivo (1994), the anthology Uscire (1995), Dimmi che mi vuoi bene (1998), Così è la vita (1999), Pazza di te (2000), Questa sono io (2002). 2004’s Condivisioni included the duet with Dionne Warwick “It’s Forever, that became the state hymn of 2005’s globe ski championships. After that, in 2005 she had taken part to the truth show Music Plantation, and in 2007 she released Dentro una rosa. By the end of the same calendar year she offered only through the web a new melody, “Stasera torno prima”, focused on the theme of work environment deaths.