b. Margaret Mary Lockwood Day time, 15 Sept 1916, Karachi, India (right now Pakistan), d. 15 July 1990, Kensington, London, Britain. After their studies at the Royal Academy of Dramatic Artwork, Lockwood made an appearance in London stage productions and produced her display debut in 1935. Among her dozen roughly films over another three years, had been The Beloved Vagabond (1936, with Maurice Chevalier), THE ROAD Vocalist (with Arthur Tracy), Melody And Love (both 1937), and Standard bank Vacation (1938). She obtained a huge hit that same calendar year in Alfred Hitchcock’s THE GIRL Vanishes and acquired several box-office strikes through the 40s, especially with assignments in the melodramas THE PERSON In Gray (1943), The Wicked Female (1945), Bedelia (1946), Jassy and Hungry Hill (both 1947). She is at I’ll End up being Your Sweetheart (1945, her music dubbed by Maudie Edwards), and is at the comedies Appear Before YOU LIKE (1948) and Cardboard Cavalier (1949), which starred Sid Field. Lockwood made an appearance in dramatic movies through the first 50s, including Highly Harmful (1950), Difficulty In The Glen (1953), Laughing Anne (1954), and Ensemble A Dark Darkness (1957). She released her autobiography in 1955. Her stage profession had on the other hand resumed with Personal Lives (1949), the name function in Peter Skillet (1949 and 1950), and Pygmalion (1951). In the mid-50s Lockwood was mainly seen over the stage, showing up in London’s Western world End and in addition touring the united kingdom provinces: an extended run on the Savoy Theater of Agatha Christie’s The Spider’s Internet (1954, that was written specifically for her), Subway In The Sky (1957), another Peter Skillet (1957, with her little girl, Julia Lockwood), and revivals of And Instantly It’s Springtime (1959) and A PERFECT Hubby (1965). On tv she made an appearance in the series The Royalty (1957) and afterwards took leading assignments in The Traveling Swan (1965), a string where Julia made an appearance, and she was barrister Harriet Peterson in the series Justice (1972). Lockwood came back to the silver screen for The Slipper AS WELL AS THE Rose (1976) and is at the plays Increase Advantage (1975), Noël Coward’s Quadrille (1977) and Collection In Two Tips (1978). She produced her last stage appearance in 1980, as Queen Alexandra, in Motherdear. The same calendar year she was produced a Dame from the United kingdom Empire but thereafter thought we would reside in seclusion, although she and her little girl had been receptive to article writer Hilton Tims when he was exploring his accounts of her lifestyle.