Home / Biography / Marcy & Zina

Marcy & Zina

The duo Marcy & Zina released their debut album, Marcy & Zina: The Record, via the Yellowish Sound Label about November 3, 2009. However the two people from the group, vocalist/lyricist Marcy Heisler (aka Marcy Allison Heisler) and keyboardist/composer Zina Goldrich, initial began producing their marks as songwriters and music artists much earlier. Actually, they began collaborating in 1993. Both acquired their initial, split credits on albums released in 1998. Heisler was the co-writer, with John Kavanaugh, from the melody “Joseph’s Lullaby,” which made an appearance on Michael Crawford’s record On Eagle’s Wings, and Goldrich performed keyboards over the ensemble record for the 1997 Paper Mill Playhouse creation of Stephen Schwartz’s musical Kids of Eden. Jointly, their initial songwriting effort to get identification was also their most well-known. Christiane Noll might have been the initial vocalist to record “Taylor” (aka “Taylor, the Latte Boy”), a woman’s paean to a waiter within a coffee shop, on her behalf 2000 record Live on the Western world Bank Cafe, however the melody has since made an appearance on albums by Lynne Rothrock, Susan Egan, Kristin Chenoweth, Liz Seymour, and Mary Jo Vitale. Marcy & Zina, executing as Marcy Heisler & Zina Goldrich, documented it over the 2006 various-artists record One Meats Ball. But their initial appearance jointly on disc was included with their melody “Make Your Very own Party,” the leadoff monitor around the 2001 Jamie deRoy & Close friends recording THE KID in Me: Tunes That Consider You Back again to Your Child years, Vol. 1; Heisler sang and Goldrich performed piano. With these successes, the songwriting duo found the interest of the brand new York community of mainly feminine nightclub and Broadway performers, and they started to place their tunes on several albums. Furthermore to those mentioned previously, there have been: “Welcome the Rainfall” and “NOT Become Shakin’ Your Trust in Me” on Lisa Richard’s Virgin Songs (2002); “I’D LIKE Them …” on Lynne Rothrock’s THAT IS Me (2002); “JUST HOW MUCH I REALLY LIKE You” on Kate Shindle’s Right up until Today (2002); “Oh, COULD Loved You” on Susan Egan’s Espresso Home (2004); “Growth Increase” on Joan Crowe’s Bird for the Wire (2005); “Apathetic Man” on Lauren Kennedy’s Right here and today (2007); “Bargain” and “THE FINAL Tune” on Live! (2008) by Susan Egan with Christopher McGovern; and “Test it out for” for the self-titled record by Johnny as well as the Sprites (2008). In the meantime, Heisler and Goldrich had been trying to create for the musical movie theater, which gained them the 2002 Richard Rodgers New Horizons Prize from ASCAP. Their 2005 off-Broadway musical Junie B. Jones was nominated for the Lucille Lortel Prize. On November 11, 2008, the PS Classics label released the globe premiere recording from the musical Dear Edwina, with reserve and lyrics by Heisler and music by Goldrich; the display also got an off-Broadway creation. Before the discharge of their debut record, the duo continuing to place tracks with other performers in ’09 2009. They both made an appearance on Stephanie J. Block’s This Place I UNDERSTAND, which highlighted “15 Pounds (From My Appreciate),” and Rebecca Luker sang their “Out of Appreciate” on Greenwich Period.

Check Also

Bob Howard

Bob Howard made an extraordinary variety of recordings during 1935-38, a sufficient amount of to …

Leave a Reply

Your email address will not be published.