“Dafne” was possibly the best known structure of the Florentine composer. He was the get good at from the chapel in the Medici courtroom from 1609 until his loss of life around 35 years afterwards. He started as an associate in S. Lorenzo, Florence. His early duties included teaching performing towards the men-of-the-cloth, and composing music for Holy Week every year. Gagliano constructed a great variety of music including people, motets, madrigals, oratorios, ballets and operas. He was also the founder from the “Accademia degli Elevati” designed for music. Lots of the initial members had been also members of the fraternity of laity in charge of numerous compositions that they performed both in public areas and personal (the “Compagnia dell’Arcangelo Raffaello”). A number of the even more prominent members from the fraternity had been Peri, Jacopo, Turco and Bardi as well as the accademy included these aswell as Fontanelli, Cavaccio, Benedetti, Caccini, Orlandi, Bonini and Allegri. As mentioned, Gagliano’s most widely known function was the opera “Dafne”. It had been an opera in the truest feeling of the word; he didn’t believe the music itself was exceptional but, it had been a combined, man made effort of composing, composing, instrumentalism and theatrics. In direction of such shows, Gagliano was certain to chair the orchestra in that manner in order that they could start to see the encounters from the performers. This is a useful directive so the performers and instrumentalists could stay collectively. The characteristics of his compositions had been almost as varied as the styles that he made up. He employed the usage of traditional types, made up a number of airs interspersed throughout his operas, published madrigals homophonically, but empoyed polyphony for three/four tone of voice items upto and including ensemble function. Imitation was utilized simply but efficiently in the starting intervals of a specific phrase just. Music was created mainly syllabically but Gagliano used melisma to accentuate essential parts of the written text. His “Musiche” of 1615 was possibly the most noteworthy assortment of secular duets and trios since it stands as the utmost essential and illustrative text message of its kind for the time. The sacred music was frequently scored for 4-6 voices, frequently six, and expanded to dual choirs in range. The structure of his sacred music was sombre when required, and required qualified performers for the complex lines. Gagliano’s “Responsoriae hebdomadae,” responsorials for Thursday night, Friday and Sunday of Holy week had been the most valued functions after his loss of life.