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Marcel Dupré

Marcel Dupré was the foremost France body organ virtuoso of his period, an heir to the fantastic tradition of Intimate French body organ performing and composing. Dupré was famous for his capability to improvise; he also constructed substantial functions and was a broadly journeyed recitalist and an important instructor. His pedigree being a French organist was impeccable. His dad and two grandfathers had been organists and choirmasters, and he was tutored privately by Guilmant in 1898. Dupré researched on the Paris Conservatory (1902-1914) with Vierne, Diémer, and Widor. He previously already provided his first body organ recital at age group 10, have been appointed organist at St. Vivien at 12, and got got his oratorio Le Songe de Jacob performed (in his house) at 15. Being a youngsters he also required long walks using the body organ builder Cavaillé-Coll; both discussed body organ building. In 1914, after currently having received conservatory awards for body organ and fugue, he received the Grand Prix de Rome for his cantata Psyché. In 1920 Dupré offered some ten recitals where he performed from memory the entire body organ functions of J.S. Bach; he previously discovered the music during Globe War I, that he previously been discovered unfit for responsibility. He toured thoroughly like a virtuoso, providing as much as 110 recitals in one trip and producing ten trips of the U.S. only between 1921 and 1948. Dupré celebrated his 1,900th concert in 1953. He regularly improvised fugues and body organ symphonies from styles suggested by music artists in the target audience; his Symphonie-Passion and Le Chemin de la croix (JUST HOW from the Mix) were 1st improvised in overall performance (in Philadelphia and Brussels, respectively) and later on notated. His created compositions add a group of 76 chorales, a concerto for body organ and orchestra, and two symphonies for single body organ. Dupré also published several text messages on body organ technique and improvisation. All his music includes a tonal basis overlaid with high chromaticism. His habit of using chords in speedy bunches was shortly found by his pupils Alain and Messiaen. Dupré’s educational meetings included a professorship on the Paris Conservatory from 1926 (an organization he aimed from 1954 to 1956) and oversight from the American Conservatory at Fontainebleau (1947-1954). From 1934 until his loss of life at age group 85, he also offered as organist (succeeding Widor) at St. Sulpice.

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