Magic Carpeting made just one single album in the first 1970s, the self-titled Magic Carpeting, which fused Indian ragas and singer/songwriter folk in a way suggestive of Joni Mitchell using the Incredible String Music group. Three from the four music artists — sitarist Clem Alford, guitarist Jim Moyes, and tabla participant Keshav Sathe — experienced issued a earlier recording on Windmill beneath the name Sagram (a misspelling of their real name, Sargam). These were given the chance to record an recording for the Mushroom label in Britain in the first ’70s, offering they added a vocalist. Moyes recruited an acquaintance of his from your Chelsea College of Artwork, Alisha Sufit, to total the lineup. Vocalist/songwriter and acoustic guitarist Sufit (heading by just the name of Alisha around the record) dominated the vocals around the LP with her easygoing compositions, bearing a solid songwriting and vocal resemblance to extremely early Joni Mitchell, with a lot more faraway echoes of modern British folk performers such as for example Sandy Denny. Alford (sitar, esraj, tamboura), Moyes (guitar), and Sathe (tabla, percussion) offered the backup, obtaining deeper into Indian ragas around the LP’s instrumentals. Pressed within an release of only 1 thousand copies, the LP became a uncommon collectable, reissued on Compact disc in the ’90s. Magic Floor covering did several gigs and radio broadcasts, but disbanded after significantly less than a season. Beneath the name Magic Floor covering II, Sufit and Alford, dealing with two music artists not up to speed to begin with, released an extremely similar record, Once Moor, in 1996. Sufit and Alford also have made solo information.