Magdaléna Hajóssyová

This internationally noted concert and opera soprano received her initial vocal and musical training in the Hochschule für Musik with the Conservatory in Bratislava. In 1974, she was honored the Slovak Lifestyle Prize and made an appearance using the opera from the Slovakian Country wide Theater. In 1978, she was authorized to a long term agreement at Unter den Linden, the Deutsche Staatsoper Berlin. In 1977, 1981, and 1987, she gained the Berlin Critic’s Reward on her behalf interpretation from the functions of Margarete in Gounod’s Faust, Elektra in Richard Strauss’ opera, and Euryanthe in the Weber opera and in Gluck’s Iphigénie en Aulide. She’s also received the Country wide Prize from the GDR as well as the J.W. Goethe Honor. Her other significant functions have already been as Donna Anna in Don Giovanni, Fiordiligi in Così lover tutte, Gräfin Almaviva in Le nozze di Figaro, Elsa in Lohengrin, Eva in Die Meistersinger, Gräfin Madeleine in Capriccio, Violetta in La Traviata, and performing the title functions in Arabella and Dvorák’s Rusalka. Her chamber concert repetoire addresses a wide historic range, from music by Bach towards the Traditional period (Haydn, Mozart, Beethoven); the first and past due Romantics (Schubert, Schumann, Mahler, Richard Strauss); to the present day period using the music of Leos Janácek, Alban Berg, Paul Hindemith, Carl Orff, Benjamin Britten, and more sophisticated composers. She’s sung in opera homes across the world, including those in Madrid, Milan, Paris, Rome, Munich, Vienna, NY, Mexico, Iran, and Japan. She regularly appears like a visitor soloist using the Slovak Philharmonic, Staatskapelle Berlin, Gewandhausorchester Leipzig, Dresden Philharmonic, and several other orchestras.