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Maaya Sakamoto

Maaya Sakamoto is among the top Japanese tone of voice actors, this means a whole lot in Japan, where “seiyuu,” because they are called, are popular display biz features. Furthermore to her focus on popular anime series such as for example Death Notice and Gundam Seed Future, she leads an effective singing profession, which started in cooperation with Yoko Kanno, Japan’s greatest industrial composer. The Tokyo-born Sakamoto became a celebrity early: at 15, she voiced the primary personality in the popular anime Eyesight of Escaflowne (1996), and sang “Yakusoku wa Iranai,” the starting theme from the series, compiled by Kanno. She continued to be in the tone of voice performing business since, but done lesser roles for some time, and took treatment to obtain a regular education for the time being — she majored in sociology at Toyo College or university. Her debut recording, Grapefruit, arrived in 1997, becoming the to begin four records created mainly by Kanno (the final was 2003’s Shounen Alice). Until 2003, Sakamoto also got major tasks in anime series Night time Walker, Kanon, and RahXephon, and smaller sized types in Cowboy Bebop and Wolf’s Rainfall. In 1997, the theme music for CLAMP College Detectives started her long-running romantic relationship with anime version of functions by the favorite mangaka group Clamp; she done a great many other anime tracks aswell, including a monitor for Ghost in the Shell finished with Hide. Her various other voice acting actions included numerous gaming industry and film dubbing stints, among that was a voice-over for Queen Amidala in japan release of the brand new Superstar Wars trilogy. During Yuunagi Loop (2005), her 5th record, Sakamoto parted with Kanno to obtain additional innovative control over her music (they reunited in 2008 for the Macross Frontier theme “Triangler”). Her brand-new collaborators included Shoko Suzuki, Yuuho Iwasato, H-Wonder, Tim Jensen, and Chris Mosdell, and she also began to write the casual song herself, not really limiting the efforts to her very own solo initiatives: since 2008, she constructed lyrics for the Nakajima Megumi and Macross Frontier series. Her middle-2000s anime stints included network marketing leads in Ouran Koukou Host Membership, Spirit Eater, and Loss of life Note and helping assignments in Gunslinger Gal, D.Gray-man, and Tsubasa Chronicle. Over the musical entrance, the EP thirty minutes Night Flight emerged in 2007, as well as the record Kazeyomi in ’09 2009, when she also came back to the function of Éponine in the stage creation of Les Misérables, where she originally debuted a couple of years back again. For early 2010, Sakamoto booked the Budokan to celebrate the 15th wedding anniversary of her profession.

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