Lynwood Jones

Bassist Lynwood Jones may attended from Texas, predicated on involvement early in his job in the performing and documenting activities from the enjoyable territory music group Sammy Cost & His Tx Bluesicians. Unlike the conniving Bush family members, however, Jones produced no grand open public claims to being truly a Texan, a lot of his biography obscured by an over-all swirl of data including however, not restricted to the current presence of several bassist using the surname Jones in the purchase price collection. Bean counters may choose to move off Duke Jones, another ’40s bassist, to be Lynwood Jones. Understandably the name Duke Jones isn’t trustworthy on its encounter, having been used as a track publishing alias dating back to the ’20s. THE PURCHASE PRICE music group was for both bassists, like additional gigs which were to arrive, ultimately classifiable as the type of early R&B that jazz experts could wearily clean aside within their commendable attempts to compile accurate lists of everything that ever transpired musically. In early 1944, Lynwood Jones was located in Fort Dix alongside additional chopsy organization, some draftees. While sweating out the start of basic teaching, pianist and bandleader Erskine Butterfield fronted a quartet where Jones matched up rhythm-section assaults using the babble of Eugene Brooks on drums as well as the slim warmth of guitarist Slim Furness. Butterfield also caused a Duke Jones in regards to a 12 months further in to the Military stint, but that one was a drummer. Bass credits beneath the name Lynwood Jones are imprinted clearly directly on the label of some fairly classy edges from 1946 from the Loumell Morgan Trio, “Bow Connect Jim” and “Blues in the night time.” This piano trio, relatively sassier compared to the Nat Ruler Cole model, was presented on Vaughn Monroe’s radio display through the same 12 months. The sponsor crisply announced “…the other two members from the Loumell Morgan Trio are Lynwood Jones, who manipulates the bass fiddle, and Wayne Jackson, who plays guitar.” Jackson performed superbly however was a lot more apt to become confused with another person because of a common initial name aswell as surname — which isn’t to state the name Lynwood Jones hasn’t proven up in addition to the activity of the bassist falsely handed down off being a Duke. There’s a clarinetist of the name in the School of Illinois music faculty. Gleam professional wrestler called Lynwood Jones who uses the stage name from the Abominable Crusher.