A trumpeter named Luther Henderson was active on common jazz and common blues recordings in the ’20s and ’30s and really should not be recognised incorrectly as the arranger, composer, and pianist from the same name who worked in a number of genres. A lot of the brassman’s discography includes sides cut using what sounds like among the first magic rings, Richard M. Jones’ Jazz Wizards. The Jones gang documented for many different brands including Decca and Okeh over in regards to a decade from the middle-’20s. The repertoire was nearly exclusively first compositions by the first choice, whose aesthetic passions would definitely irritate the morality squad. Established lists plowed through by Henderson and bandmates brazenly sported game titles such as for example “Tickle Britches Blues,” “Blue Reefer Blues,” and “Sizzling and Prepared,” the second option featuring clarinet expert Johnny Dodds. And in addition, this material resulted in the Jones band’s addition in possibly the only compilation arranged worth acquiring to a desert isle, Viper Mad Blues: 25 Tunes of Dope and Depravity.