Luis Russell led among the great early big rings, an orchestra that during 1929-1931 could keep its with almost all of its competition. However, his period in the limelight was fairly short and, ironically, Russell dropped into obscurity simply because the big music group period really took keep. Russell studied electric guitar, violin, and piano in his indigenous Panama. After earning 3,000 dollars inside a lottery, he shifted with his mom and sister to america where he started to earn a living like a pianist in New Orleans. In 1925 Russell shifted to Chicago to become listed on Doc Cook’s Orchestra and became the pianist in Ruler Oliver’s music group. He was with Oliver once the cornetist relocated to NY before leading his personal music group in the Nest Golf club in 1927. Russell got recorded seven tracks at two classes like a innovator in 1926 along with his Popular Six and Heebie Jeebie Stompers. By 1929 his ten-piece music group (including several previous Oliver sidemen) boasted four main soloists in trumpeter Crimson Allen, trombonist J.C. Higginbotham, altoist Charlie Holmes, and clarinetist Albert Nicholas; another trumpeter, Expenses Coleman, finished up leaving due to having less solo space. Furthermore, Russell, a good but not especially special pianist, was section of among the best rhythm parts of the period alongside guitarist Will Johnson, the effective bassist Pops Foster, and drummer Paul Barbarin. Through the next year or two Luis Russell’s music group recorded a few dozen edges that (because of the leader’s preparations) mixed the solos and travel of New Orleans jazz using the riffs and ensembles of golf swing; a few of these shows are now regarded as classics. The music group also supported Louis Armstrong on some of his early orchestra recordings. But following a few industrial edges in 1931, Luis Russell just had yet another possibility to record his music group (a so-so program in 1934) before Louis Armstrong had taken it over entirely in 1935. For eight years, the nucleus of Russell’s orchestra mainly functioned as history for the fantastic trumpeter/vocalist, a job that robbed it of its character and significance. From 1943-1948, Russell led a fresh music group that performed the Savoy and produced several obscure recordings for Apollo before silently splitting up. He spent his last 15 years, before dying of cancers in 1963, generally beyond music, running initially a candy store and a toy shop. Fortunately the majority of Russell’s early recordings have already been offered on Compact disc by European brands.