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Lucia Popp

Lucia Popp was an accomplished coloratura soprano in the first many years of her profession, but later she moved with great achievement in to the lyric repertoire and, even now later, in to the lighter Strauss and Wagner operas. She experienced the ideal tone of voice and character for Viennese operetta, and was one of the better Rosalindes (Die Fledermaus) and Hanna Glawaris (The Merry Widow) of her period. She was also a famous recitalist and lieder vocalist, where her performing benefited from her wonderful stage existence. Her untimely loss of life in 1993 (exactly the same 12 months that saw the first fatalities of Arleen Auger and Tatiana Troyanos) cut brief a major profession. Popp initially joined the Bratislava Academy to review episode. Anna Hrusovska-Prosenkova, a tone of voice teacher in the Academy, occurred to listen to her singing throughout a overall performance of Molière’s Le Bourgeois Gentilhomme, and provided her tone of voice lessons. She started her studies like a mezzo-soprano, but her tone of voice quite suddenly created a high top register — a lot in order that her professional debut was as Mozart’s Queen of the night time in the Bratislava Opera. That part was to stay a staple for quite some time of her early profession. Popp soon produced debuts in the Theatre an der Wien as well as the Vienna Condition Opera, where her 1st part was Barbarina in Le Nozze di Figaro. She experienced strong ties towards the Vienna Condition Opera during her profession, though she remaining their regular roster in 1967, and in 1979 she was called an Austrian Kammersängerin. She produced her Covent Backyard debut in 1966 as Oscar in El Ballo in Maschera, and her Met debut in 1967 because the Queen of the night time. Through the 1970s, she remaining coloratura functions for lyric types, especially of Mozart, where she was a particularly effective Pamina and Susanna, and in the 1980s she started to add actually heavier functions, including Eva in Die Meistersinger and Strauss’ Arabella (both in 1983) with comparable success.

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