Luba Orgonasova

Luba Orgonasova’s city of Bratislava is definitely among the main regional music centers of Central European countries. She went to the Conservatory as well as the Music Academy of the town, where she examined piano and tone of voice. She started her singing profession at Bratislava’s opera home, then was asked to sing being a guest on the Hagen Opera Home in 1984. Pursuing that appearance, she received a agreement as an associate of that firm as its First Lyric Soprano, staying there to the finish from the 1988 period. While there she sang in lots of leading parts, including two that she’d become well-known, Violetta in Verdi’s La Traviata and Pamina in Mozart’s Die Zauberflöte. She sang Pamina on the Vienna Condition Opera and documented it in 1989. Maestro Herbert von Karajan noticed her sing and asked her to surface in the 1990 Salzburg Easter Celebration and the summertime Salzburg Celebration in 1990, where she sang Marzelline in Beethoven’s Fidelio. Afterwards in that period she sang Donna Anna in Mozart’s Don Giovanni on the Vienna Condition Opera and Konstanze in Die Entführung aus dem Seraglio in Paris. Since that time she’s sung on all of the main operatic stages from the globe, and in concert functionality with lots of the great orchestras. Among her personal roles is certainly that of Eurydice in Gluck’s Orphée et Eurydice.