This classic old-time fiddler is a tiny mystery man, turning up as the senior person in a band formed in 1918 by fellow fiddle genius Clayton McMichen, among the regular sidekicks of Lowe Stokes over time. At first known as the Lick the Skillet Music group, then the Aged Hometown Music group, this double-fiddle group ultimately morphed into Gid Tanner & the Skillet Lickers, probably one of the most popular and well-loved of old-time organizations from this period that were able to end up being recorded. If the saga of Stokes is usually to be believed, life on the highway with this music group was even more about licking one’s wounds than licking skillets. Using one tour, the trouble-bound Stokes was stabbed perilously close to the center as the awful consequence of the love triangle, after that was shot in the submit a drunken altercation a couple of days afterwards while still recovery from the sooner wound. This is something of the gory preliminary to another Skillet Lickers tour, where in fact the poor Stokes could have his hands shot off totally. Fortunately, a fellow fiddler in the clothing was an experienced engineer and could design a particular connect that allowed Stokes to carry his bow regardless of the injury. This is something of the distinction certainly, with old-time music supporters decades afterwards still commenting over the miracles of viewing “an image of Lowe Stokes, playing one-handed” on fiddle boards on the net. Stokes was mainly referred to as a sideman. In the Skillet Lickers, he performed alongside guitarist and vocalist Riley Puckett and mandolinist Ted Hawkins, fiddlers Bert Layne and Gid Tanner, aswell as these McMichen. He also proved helpful in the group Seven Feet Dilly & His Dill Pickles, led by fellow North Georgia fiddler John Dilleshaw. There is some recordings Stokes do as frontman for his music group, the North Georgians, including game titles such as for example “I Wish I NEEDED Stayed in the Wagon Lawn,” “House Brew Rag,” “Influx That Body,” and “Consider Me towards the Property of Jazz.” Several recordings were gathered for some reissues over the Record label. He also documented with cowboy vocalist Hugh Combination. In 1925, poet Stephan Vincent Benet composed a poem, entitled The Hill Whipporwill, that was based on viewing Stokes earn a fiddle competition in Atlanta the entire year before. Nearly as timeless as a bit of poetry, Stokes non-etheless was feeling match plenty of to fiddle in the 1982 Brandywine event, leaving ecstatic enthusiasts still speculating about his precise age. He continues to be among the traditional symbols of old-time fiddling, a significant influence to all or any new decades of players dealing with this genre.