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Louise Bessette

Canadian pianist Louise Bessette has generated a career among the primary interpreters of modern piano music. She’s chosen a hard way to follow, carrying out and championing music by fairly small known living composers like José Evangelista, Serge Provost, Michelle Gonville, and André Villeneuve. But Bessette offers, generally, managed to accomplish more than moderate achievement in her profession. Competition winner, documenting artist, chamber very good music player, soloist, and recitalist in concert halls throughout European countries, Asia, as well as the Americas, Bessette offers attracted the interest of modern composers needing a solid advocate for his or her works. Furthermore to the people mentioned previously, Raul Sosa, Bruno Ducol, Phillippe Boivin, Jacques Lejeune, and Claude Ballif possess written major functions for her. For all those her intensifying tendencies, though, Bessette offers played her talk about of traditional fare, including functions by Mozart and, via transcription, Johann Strauss, Jr., and Dvorák. She’s also performed even more mainstream contemporary music, particularly functions by Ives and Messiaen. Bessette frequently collaborates with chamber music groupings and appears frequently with main orchestras and conductors. She’s made many recordings for different brands, including Analekta, Atma Classique, CBC Information, Setting, Les éditions Doberman-Yppan, and Montaigne. Louise Bessette was created in Montreal, Canada, on June 20, 1959. She started piano lessons at five and from 1971 researched on the Conservatoire de musique du Québec ? Montréal (CMM), where she was awarded initial award in chamber music efficiency in 1979 and initial prize in single piano in 1980. Pursuing her 1980 graduation she got advanced research with Eugene List (NY) and Yvonne Loriod (Paris), the celebrated pianist and wife of Messiaen. Though Bessette earned the 1981 Eckhardt-Grammatté Competition, it had been her victory on the Concours worldwide de musique contemporaine de Saint-Germain-en-Laye in 1986 that provided her broad worldwide notice. Bessette’s initial recordings made an appearance in 1987, and included extremely praised accounts from the Ives Concord Sonata and excerpts from Messiaen’s Vingt Regards sur l’enfant Jésus, for the CBC Musica Viva label. In 1991 Bessette was presented with the Flandre-Québec Prize, for her initiatives to promote modern music. Numerous various other honours and citations implemented, and a blast of recordings. Bessette started teaching piano on the CMM in 1996. In 2003 she founded her very own record label, Sept Jardins, and released her inaugural Compact disc Tango Diablo! to wide acclaim. Among her afterwards recordings may be the 2008 assortment of Messiaen functions on Analekta entitled Les Oiseaux.

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