A mainstay of Uk folk music because the ’50s most widely known for his choices of ocean shanties and whaling tracks, Louis Killen was a singer, archivist, lecturer, and historian on the amount of Ewan MacColl, Pete Seeger, and A.L. Lloyd, most of whom Killen caused at onetime or another. This year 2010, at age 76, Killen started living and carrying out as a female, and underwent a sex-change procedure in 2012. Right now referred to as Louisa Jo Killen, she resided only a short time much longer, dying of tumor at her house in Gateshead, Britain in August 2013 at age 79. Created in the north town of Gateshead-on-Tyne, Region Durham, Britain, in 1934, Killen 1st became thinking about folk music as a man going to Oxford School, where he dropped in with the neighborhood folk music group and created his vocal technique aswell as learning the pennywhistle and concertina. Departing school to come back north in 1958, Killen resolved in Newcastle and opened up among Britain’s 1st folk night clubs while also employed in the city’s shipyards. Unemployed in 1961, Killen made a decision to switch professional and authorized with the famous United kingdom folk label Subject Records. His 1st releases were a set of EPs, The Colliers Rant (documented with Johnny Manage) and A Northumbrian Garland, both in 1962. Some collaborations and looks on compilations adopted, with his 1st full-length single documenting, Ballads and Broadsides, not really showing up until 1964. Killen continuing employed in collaborations through the heady instances from the English folk revival in the first and middle-’60s, besides carrying on to arrange and present concerts and hootenannies through the entire United kingdom Isles. As the folk increase wound to an in depth, however, Killen produced the uncommon move (for the British isles folkie) of immigrating to america in 1967. Although Killen would stay entirely centered on the music of THE UK, he resided primarily in the us until following the convert of millennium. Initially settling in to the NY folk picture, Killen caused Pete Seeger on several concerts, and, in-may 1968, he documented — as Lou Killen, a derivative of his initial name that he hardly ever utilized — the record Ocean Chanteys for the eclectic NY indie ESP-Disk. A live a cappella assortment of traditional music, barring MacColl’s “Shoals of Herring,” Ocean Chanteys was Killen’s initial collection of music relating to the ocean as well as the cruising lifestyle, which would stay a interest throughout his profession. Over time spent employed in the shipyards of Seattle, Washington, where he also documented 1969’s 50 South to 50 South, an advantage record for the city’s seaport museum, Killen came back to NY and changed Tommy Makem in the Clancy Brothers music group. Killen spent the initial half from the ’70s performing and recording using the Clancy Brothers, but he also continuing his own profession. A 1971 duo recording with the Youthful Tradition’s Peter Bellamy, Won’t YOU DECIDE TO GO My Way?, can be an underrated jewel out of this period in Killen’s profession. Departing the Clancy Brothers when Makem made a decision to rejoin, Killen released another duo recording along with his wife, Sally, 1975’s Shiny Shining Morning, accompanied by 1977’s single Old Songs, Aged Close friends. After 1980’s Gallant Lads Are We, Killen focused on teaching and composing for most from the ’80s, not really carrying out. When Killen thought we would resume his documenting profession, he founded his personal KnockOut! label and started self-releasing his personal discs. 1989’s The Rose in June, offering several self-penned music including the name cut, came initial, accompanied by 1993’s A Bonny Number. Killen then came back to his interest for sea music with 1995’s Sailors, Boats and Chanteys, Vol. 1 and 1997’s A Seaman’s Garland: Sailors, Boats and Chanteys, Vol. 2. Killen came back to Gateshead in 2003 and, having been conflicted about his gender for a long time, decided after guidance to attempt gender reassignment despite problems about the feasible reaction from the general public and supporters. However, after rising as Louisa Jo Killen, Killen was heartened with the approval she received, and continuing to execute and lecture also after getting her cancer medical diagnosis.