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Louis Kentner

Although most warmly remembered for his documented collaborations along with his brother-in-law Yehudi Menuhin, Louis Kentner was a significant solo performer. His Brahms was observed because of its glowing breadth and his Liszt experienced the stamp of expert. Indeed, Kentner added significantly towards the rehabilitation from the second option composer’s functions for single piano. Kentner was proactive, aswell, in the overall performance of functions by modern composers; he was very much admired by many English composers for his attempts with the person as well as for the exacting requirements to which he kept. Of Hungarian and Austrian parentage, Kentner been trained in structure in the Budapest Royal Academy with Zoltán Kodály and Hans Koessler while going after his piano research with Arnold Szekely and Leó Weiner. His debut occurred at age group 13; in 1920 he embarked upon a thorough Western european tour. Although he excelled in the music of Chopin, he also performed music compiled by his very own contemporaries. Kodály constructed his Dances of Marrosszek for him; Kentner gave local premieres of Bartók’s Piano Concerti No. 2 no. 3. In 1935, Kentner transferred to London, ultimately taking Uk citizenship. He undertook many recitals specialized in the music of an individual composer. On the Edinburgh Celebration, he performed the Beethoven Sonatas with Menuhin and assumed the function of leading advocate for the piano music of modern British isles composers. Kentner premiered functions by Alan Rawsthorne, Michael Tippett, and William Walton, amongst others. Walton constructed his Violin Sonata for Kentner and Menuhin and Tippett’s Piano Concerto was accorded a commanding first functionality by Kentner in 1956. Kentner toured India with Menuhin in 1954 and performed in a number of Far East locations in 1956. On November 28, 1956, he finally made an appearance in america, winning extremely complimentary testimonials for his City Hall recital. Both Howard Taubman and Paul Henry Lang hailed him as stunning and imaginative with specialized gifts from the initial purchase. Lang commented that he was “certainly among the finest pianists noticed here in quite a while.” Furthermore to getting adulatory remarks from critics, Kentner was honored using a CBE in 1978. On disk, Kentner’s artistry is certainly conserved in his single recordings of Liszt, Chopin, and Brahms, and through his collaborations with Menuhin in the sonatas of Beethoven and Bach.

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