A violinist, mandolinist, and guitarist in the dark string band design who made several recordings in the ’20s and ’30s, Howard Armstrong aka Louie Bluie was rescued from your obscurity of professional record selections when he was the main topic of the Louie Bluie film documentary in the ’80s, made by Terry Zwigoff (more well-known for his film Crumb). (Armstrong was also called Louie Bluie as he released an individual under that nickname in 1934.) In his youngsters he is at rings with Carl Martin and guitarist Ted Bogan, like the Four Aces as well as the Tennessee Chocolates Drops, the second option of whom documented “Vine Street Pull” in 1930. The touring entertainers settled for some time in Chicago in the ’30s, but halted playing professionally from the past due ’30s, although Armstrong and Bogan got a fresh existence in the ’70s around the folk and event circuit. A energetic if not specifically innovative entertainer, Armstrong was among the last exponents from the dark string band design by enough time from the Louie Bluie film. Because of its soundtrack, he do some saving with two veterans from the idiom, mandolinist Yank Rachell and banjoist Ikey Robinson, and also other music artists. The soundtrack, and several sides through the ’20s and ’30s that Armstrong and Rachell got a submit, is available being a CD.