Among the great drummers ever (and something from the couple of whose name could be said within the same phrase with Buddy Affluent), Louie Bellson gets the rare capability to continually keep one’s interest within a 15-minute single. He became popular in the 1950s for using two bass drums concurrently, but Bellson was under no circumstances a gimmicky or excessively bombastic player. Not only is it able to get a huge band to interesting impact, Bellson can play extremely quietly using a trio and audio quite satisfied. Champion of the Gene Krupa skill contest while an adolescent, Bellson was using the big rings of Benny Goodman (1943 and 1946), Tommy Dorsey (1947-1949), and Harry Adam (1950-1951) before changing Sonny Greer using the Duke Ellington Orchestra. A talented article writer, Bellson added “Epidermis Deep” and “The Hawk Discussions” to Ellington’s long lasting repertoire. Bellson wedded Pearl Bailey in 1952, and the next year still left Ellington to become her musical movie director. Bellson toured with Jazz on the Philharmonic (1954-1955), documented many schedules in the 1950s for Verve, and was using the Dorsey Brothers (1955-1956), Count number Basie (1962), Duke Ellington (1965-1966), and Harry Adam (1966). He stayed energetic, leading big rings (different styles over the East and Western world Coasts), piecing together combos for record schedules, giving treatment centers for youthful drummers, and composing songs. Bellson has documented thoroughly for Roulette (early ’60s), Concord, Pablo, and Music Experts.