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Lou Ann Barton

Although she doesn’t tour nearly just as much as she most likely could, Austin-based vocalist Lou Ann Barton is among the finest purveyors of uncooked, unadulterated roadhouse blues from the feminine gender that you will ever hear. Like Delbert McClinton, she can belt out a lyric in order that she could be heard more than a two-guitar music group with horns. Created Feb 17, 1954, in Fort Well worth, she’s a veteran of a large number of dancehall and golf club shows around Texas. Barton relocated to Austin in the 1970s and later on performed using the Fabulous Thunderbirds and Stevie Ray Vaughan and Two times Trouble. Although she’s several great recordings out, notably Aged Plenty of (1982, Asylum Information), made by Jerry Wexler and Glenn Frey, Barton must be noticed live to become fully valued. She belts out her lyrics inside a twangy tone of voice so filled with Texas you could smell the barbecue sauce. She swaggers confidently concerning the stage, casually tossing her cigarette to the ground as the music group kicks in on its 1st number. The elegance, poise, and self-confidence she tasks on-stage is section of a long custom for ladies blues performers. The blues globe still needs even more good feminine blues performers like Barton, to greatly help to broaden the selling point of the music to different audiences also to additional its advancement. Barton includes a pair of superb albums from the Austin-based Antone’s Information, Read My Lip area (1989) and her cooperative work with fellow Tx blues ladies Marcia Ball and Angela Strehli, Dreams BECOME A REALITY (1990). Old More than enough was reissued on compact disk in 1992 within the Antone’s label. Her recordings in the switch of the millennium included Thunderbroad (1999, Blues Manufacturer) and Someday (2002, Catfish), and she’s also consequently guested on albums like Omar Kent Dykes’ Big City Playboy (Ruf Information, 2009). Here’s wishing that this leading interpreter of Tx roadhouse blues is going to be well documented within the years ahead.

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