Possibly the sole Fresh Orleans jazz instrumentalist to fool around using the dreaded oboe, Lorenzo Tio originated from a musical family members and may also be credited using a “junior” by the end of his name to be able to acknowledge the existence of his dad. Both dad and son’s primary axe was the clarinet, as was uncle Luis Tio. The junior Tio’s impact on this device spread significantly beyond his very own family members once he started teaching: he includes a few fingertips in some of the very most essential stylists on clarinet to emerge in following years. Barney Bigard, one of the biggest music artists to ever stay devote the Duke Ellington music group, was among Tio’s college students, as had been also Jimmie Noone, Albert Nicholas and Johnny Dodds. Tio gigged in famous New Orleans huge ensembles like the Lyre Golf club Syphony Orchestra through the past due 19th century. Following that he branched out into smaller sized combos including traditional brass rings. Before the Roaring Twenties the clarinetist had been on tour, at risk of Chicago with bandleader Manuel Perez in 1916. In the meantime he had an ongoing collaboration using the famed Papa Celestin whenever Tio was back the best Easy. After 1918 Tio was also executing with Armand Piron, a romantic relationship which continuing for ten years, aswell as shorter involvements with groupings like the Tuxedo Brass Music group. Despite Tio’s solid ties to New Orleans, he was also linked quite frequently with the brand new York jazz picture. Steamboats running between your condition capitol in Albany at ny provided one of is own regular bandstands. Through the past due ’20s and early ’30s, Tio got a normal stint on the Nest Membership in NEW YORK. Recorded documentation of the artist isn’t overwhelming in volume, yet does consist of several excellent choices of function by pianists and composers Jelly Move Morton and Clarence Williams and fellow reed participant Sidney Bechet.