Appearing for the London picture in 1984 this big (20-part plus) music group appealed to (and shown) the brand new, savvy young audience jazz was appealing to at that time, and appeared likely to confirm a significant ‘crossover’ success. It had been run being a collective, although trombonist Ashley Slater acted as ‘frontman’ and Django Bates (b. Leon Bates, 2 Oct 1960, Beckenham, Kent, Britain) surfaced as a primary article writer for the music group. Characterized by smart arrangements, officially slick soloing and an urbane stage-presence, Loose Pipes was acclaimed by many critics and developed fascination with jazz among parts of the general public that hadn’t previously paid the genre any interest. It spawned other effective products, which indulged in a variety of designs (funk, African, soca, bebop etc), including Individual Chain, Pig Mind Boy, Lift, the Iain Ballamy Quartet, the Steve Berry Trio, the Tim Whitehead Music group, Parker Bates Stubbs as well as the Julian Argüelles Quartet. By the first 90s the mother or father group got disbanded – although reunions shouldn’t be eliminated. Slater later liked commercial achievement collaborating with DJ Norman Make as Freakpower.