b. 23 March 1964, London, Britain. Dark brown’s musical profession started in his teenagers when he teamed up using the UK-based Jah Marcus Hello there Power audio system. He performed being a DJ although his times as an MC had been short-lived carrying out a sojourn to Jamaica where he remained for eight a few months. During his stay he was motivated to perform being a vocalist after observing a Jamaican tv program Where It’s At that highlighted Dennis Dark brown and Big Youngsters. On his go back to London the vocalist nurtured his vocal abilities when he became a member of the local music group Lovely Distortion. In 1984, these were nominated as Beginners Of THE ENTIRE YEAR and provided support to artists such as for example Gregory Isaacs and Aswad. Nice Distortion released several esoteric singles although they discovered greater success if they had been recruited to try out the area of the Jackson Five within the critically acclaimed, Dark Heroes WITHIN THE Hall Of Popularity. Following Nice Distortion’s stage achievement the music group dissolved which led Dark brown to go on a single career. He loved some minor strikes that included his debut ‘Band My Quantity’. Like a soloist the suppliers of Dark Heroes WITHIN THE Hall Of Popularity coaxed him back again to undertake the part of Otis Redding. While carrying out as the spirit legend he could demonstrate his vocal abilities globally with shows in america, the Caribbean and on the Western continent. In 1990, Dark brown returned to the united kingdom where he documented his first #1 1 reggae strike. The track was a edition of Dr. Hook’s ‘Posting The Night Collectively’, that was accompanied by his second chart-topper, ‘Like You Down’. His achievement resulted in a Best Solitary Of THE ENTIRE YEAR award, which improved the vocalist’s position. He maintained a higher profile in the united kingdom reggae sector and in 1995 Dark brown worked in program with Tippa Irie. The duo documented ‘It’s A Like Thing’ and ‘Tension’, that resulted in a recording agreement with Arista Information. The label released the questionable ‘Baby Mom’, although like a lot of major agreements in reggae the discharge flopped. Following disappointment Dark brown had taken a two-year sabbatical before getting persuaded by Lloyd ‘Musclehead’ Francis to focus on periods for his second discharge Rhyme And Cause. The album demonstrated a commercial achievement and resulted in critical acclaim. Dark brown began documenting with Danny Ray at Cave Studios where he documented reggae variations of pop criteria like the Lighthouse Family members’s ‘Lifted’ and Santana’s ‘Maria Maria’. These music had been featured in the compilation series, Pop Hits Inna Reggae Style. Dark brown’s biggest achievement was a edition of Craig David’s ‘Fill up Me In’. In 2001, Dark brown began dealing with Bitty McClean on periods.