Ljuba Welitsch

While her career was fairly short, Welitsch was a story in her own time, having a strikingly beautiful stage presence (and a determine she was by no means hesitant showing off to its best advantage onstage) and a powerfully-focused, though not really huge, voice. For most, her Salome hasn’t been vocally or significantly surpassed. She analyzed in Sofia under Gyorgy Zlatov, and produced her debut among the seamstresses in Charpentier’s Louis in the Sofia Opera in 1934. Her 1st lead part was as Nedda in Pagliacci in 1936 in the Graz Opera. In 1937, she became area of the Graz opera organization, where she continued to be until 1940. As her profession developed, her functions ranged on the lyrical as well as the spinto repertoire, including such weighty functions as Senta and Aida. In 1944, she sang Salome inside a overall performance carried out by Strauss himself, and after becoming a member of the Vienna Condition Opera in 1946, produced her Covent Backyard debut in the same part the next 12 months. Her Metropolitan Opera debut is at 1949, also as Salome. (This is also conductor Fritz Reiner’s Met debut.) As soon as 1953, her tone of voice was displaying pronounced indicators of put on, though her total artistry was still commanding, and she started to appear in smaller sized jobs, including comic personality parts. In 1959, she produced her farewell towards the opera stage in Egk’s Der Revisor on the Vienna Condition Opera, though she came back towards the Met in 1972 to execute the comic speaking area of the Duchess within a creation of Donizetti’s La Fille du Regiment.