Linda Yamamoto was a celebrity of early J-pop, mainly in charge of bringing sexy to japan picture — her exposed bellybutton generated an enormous media hype in the ‘70s. She dabbled in lots of areas of display business, such as for example film and modeling, and weathered very long periods of comparative obscurity, but hardly ever really proceeded to go aside, and staged many comebacks over her four-decade-plus profession. Yamamoto was created in 1951 in Fukuoka. Her dad, an American soldier, passed away in the Korean battle of 1950-1953, and Yamamoto grew up by her Japanese mom. The girl arranged her places on the display biz in early stages, debuting like a style model at 11, and quickly began her performing career aswell, liberating the debut solitary “Komacchauna” in 1966. It had been a million-seller, creating Yamamoto like a primary pop star worth Kohaku Uta Gassen, the best Japanese music Television show (this is the to begin her five Kohaku looks). Yamamoto released a barrage of singles in the next years, but didn’t quit style modeling, that was a good move — she gained the nickname “JAPAN Twiggy” as well as worked with actual Twiggy. Her musical profession, for the time being, floundered before early ‘70s, when she authorized to Canyon Information and released the monster strike “Donimo Tomaranai” (1972), her biggest-selling launch. The track was penned by Yuu Aku and Shunichi Tokora, who caused Pink Woman, the Finger Five, and Momoe Yamaguchi. Even more hits from the same songwriting duo adopted in the middle-‘70s, including “Neraiuchi” (1973), found in the Ultraman Taro Television show and later on in the gaming Osu! Tatakae! Ouendan (2005). After some more years, nevertheless, she was once again all but overlooked, relegated to try out small nation pubs in the ‘80s. She attempted albums rather than singles (her first full-length was shipped in 1987) and turned to chanson in 1989, but what actually facilitated her comeback was the energy of anime, specifically, the Chibi Maruko-chan series, which shown a picture from the eponymous personality carrying out a Yamamoto track in 1991. Her tunes also all of a sudden became well-known remix material; because of this, she was back the limelight in the first ‘90s, even time for Kohaku Uta Gassen in 1991 after a 17-12 months break. In this new episode of activity she debuted abroad, playing in China in 1993; she made an appearance in the Hamlet rock and roll opera alongside X-Japan users, and even do a photo reserve of nudes. Even so, her popularity began to fade once again, but she maintained her presence for the J-pop picture, establishing a reliable album release plan in the 2000s, aswell as credit scoring some big advertisements agreements with Asahi and Wanda espresso, and contributing tracks to such anime series as Tenchi in Tokyo (1997) and Legendz (2005). In 2001, Yamamoto wedded for the very first time, to a university teacher seven years her mature.