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Lily & Maria

Virtually absolutely nothing seems known on the subject of the feminine duo Lily & Maria or their sole, self-titled album, which arrived about Columbia in 1968 (even though it did feature well-known session man Paul Griffin, who played about many prominent folk-rock records from the mid- to past due ’60s, about keyboards). Those looking for an overlooked acidity folk rarity (which is uncommon, despite developing on the big main label) would prosper to try hearing this uncommon outing, although album sounds similar to a blueprint (in both creation and songwriting) when compared to a completely thought-out work. The record combines high folky harmonies with gauzily hazy, evocative lyrics, although a lot of the materials is indeed minimally arranged it appears like demos in areas. The more completely produced parts, though, add ghostly, unsettling orchestration and electrical rock equipment that occasionally make the music totter at risk between delicate prettiness and creepiness.

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