Ligabue

Authenticity, perspiration, and electric powered guitars: they are the substances of a formula that, with really small changes over time, made Ligabue perhaps one of the most successful contemporary Italian rockers. Delivered in Correggio, not really definately not Reggio Emilia, on March 13, 1960, Luciano Ligabue experienced diverse work encounters during his pre-rock years, including farmhand, blue-collar employee, salesman, town councilman, and DJ. Along with a music group known as OraZero, in 1987 Ligabue received a competition for unsigned rings, which through the pursuing 12 months allowed him to record his 1st 7″, including the tunes “Pub Mario” and “Anime in Plexiglass.” Between 1988 and 1989 vocalist/songwriter Pierangelo Bertoli documented two of Ligabue’s compositions, “Sogni di Rock and roll & Move” and “Figlio di el Cane” (within the Tra Me e Me and Sedia Elettrica albums, respectively). Along with his fresh backing music group, ClanDestino (Maximum Cottafavi on acoustic guitar, Gigi Cavalli Cocchi on drums, and Luciano Ghezzi on bass), along with Elio e le Storie Tese’s Paolo “Feiez” Panigada like a appear engineer, Luciano released his debut, Ligabue, in 1990. Including both passionate ballads and sharp rockers, the recording offered 500,000 copies, as the 1st solitary, “Balliamo Sul Mondo,” received that year’s release of Festivalbar Giovani. After that Ligabue began a tour that could end 3 years later, where he also the opportunity to support U2 on two Italian times of the Zoo Television tour, and for the time being he released Lambrusco Coltelli Rose & Snacks (1991) as well as the much less concentrated Sopravvissuti e Sopravviventi (1993). In 1994 he was co-founded the administration company and record label Mescal. Within the same yr, the EP A Che Ora è la Good del Mondo?, the name track becoming the Italian translation of R.E.M.’s “It is the End of the Globe as We Find out It (And PERSONALLY I THINK Good),” was his last record with ClanDestino, which would consequently launch two albums alone (1994’s ClanDestino and 1996’s Cuore Stomaco e Cervello). With a fresh backing music group including former users of Rocking Seats (Carmelo “Mel” Previte on acoustic guitar, Antonio “Rigo” Righetti on bass, and Roberto “Robby” Pellati on drums), and Litfiba (lead guitarist Federico Poggipollini), Ligabue released Buon Compleanno Elvis in 1995. Because of the huge achievement of singles such as for example “Certe Notti” and “Vivo Morto o X,” it offered several million copies, staying within the Italian graphs for 70 weeks. In 1997 two schedules at Milan’s San Siro stadium (with a complete of 110,000 people participating in) verified his status as you of Italy’s accurate rock stars. Within the same calendar year Ligabue released his initial book, a assortment of brief stories known as Fuori e Dentro il Borgo, as well as the live record Su e Giù da el Palco, whilst in 1998 he aimed his initial film, Radiofreccia (that he gained the David di Donatello as well as the Nastro d’Argento honours for Greatest New Movie director) and constructed its soundtrack. In 1999 he released the power one “Il Mio Nome è Mai Più” with Jovanotti and Litfiba’s Piero Pelù, and in 2002 Miss Mondo was released — its standout monitors included “Questa è la Mia Vita,” in the soundtrack of his second film Dazeroadieci (2002), and “Eri Bellissima,” champion of this year’s Festivalbar. The 2003 theatrical tour where Ligabue was supported by PFM’s Mauro Pagani and Almamegretta’s audio manipulator Stefano “D.RaD” Facchielli was documented with the live recording Giro d’Italia. In 2004 Ligabue released the book La Neve Se Ne Frega, and Teramo University or college awarded him a qualification honoris causa in conversation sciences. In Sept 2005, several days prior to the launch of Nome e Cognome, Ligabue structured an enormous live event at Reggio Emilia’s Campovolo (close to the city’s airport terminal), with four phases and a complete of 180,000 people (the biggest paying audience ever in European countries for an individual designer). In 2006 he released the five-DVD arranged Nome e Cognome Tour 2006, as the solitary “Happy Hour” received the Festivalbar. Within the same yr he also published a music for Elisa, “Gli Ostacoli del Cuore,” contained in her greatest-hits collection Soundtrack ’96-’06, and released the poetry collection Lettere d’Amore Nel Frigo. Primo Tempo, released in November 2007, was the 1st level of a dual anthology spanning from 1990 to 1995; the next half, entitled Secondo Tempo and including materials from 1997 to 2005, was planned for discharge in-may 2008. In ’09 2009, Ligabue performed the melody “Domani 21/04.09” within a significant fundraising effort for the survivors of the earthquake that struck Central Italy, and in addition issued his third live album, Sette Notti in Arena, documenting an orchestral tour from 2008. Ligabue was also area of the jury for the 66th annual Venice Film Celebration. The entire year 2010 brought Arrivederci, Mostro!, Ligabue’s ninth record of original materials, and he released a sold-out 13-time stadium tour in support. Also this year 2010, a documentary in regards to the musician, Niente Paura — Arrive Siamo, Arrive Eravamo and le Canzoni di Luciano Ligabue, received its globe premiere on the Venice Film Celebration. Ligabue staged just one more substantial event present in July 2011, a concert in Reggio Emilia that drew a audience of 120,000 supporters; the concert was recorded on the recording, Campovolo 2.011, and a on the 3-D documentary film that opened in 300 theaters. Ligabue’s second assortment of brief tales, Il Rumore dei Baci a Vuoto, was released in 2012, and he also released LigaLive, a 13-disk DVD box arranged that preserved lots of the milestones of his profession like a live performer. In 2013, Ligabue documented and released his tenth appropriate recording, Mondovisione, a low fat and hard-rocking work with a politics advantage, and helped celebrate its launch having a sold-out five-night stand in the Verona Market. Furthermore, Ligabue became the main topic of a publication, La Vita Non è in Rima (Per Quello Che Ne Therefore), a protracted interview using the vocalist and songwriter executed by Giuseppe Antonelli where they discuss at duration the meanings and motives behind his music. Politics and public factors informed another Ligabue project, Manufactured in Italy, an idea record about his frustrations along with his indigenous land. The record hit number 1 upon its discharge in November 2016.