Lévon Minassian is a People from france doudouk participant of Armenian history who released some single albums, yet could very well be most widely known for his early-’90s use Peter Gabriel. Hailing from Marseille, France, Minassian started his recording profession with a number of film soundtracks. His big break arrived through the early ’90s when he collaborated with Peter Gabriel around the industrial blockbuster Us (1992) and toured internationally using the English progressive rock and roll icon to get the recording. Furthermore, he shows up on Secret Globe Live (1994), a live recording recorded through the Us tour, and Big Blue Ball (2008), a collaborative recording overseen by Gabriel that was documented primarily through the same period however, not finalized for launch until a long time later on. In light of his high-profile use Gabriel, Minassian discovered himself in constant demand like a doudouk participant, appearing on the few albums a 12 months. Perhaps most obviously among his recording looks are Tony Levin’s Globe Journal (1995), Khalil Chahine’s Opake (1995), Afro Celt Sound System’s Quantity 1: Sound Magic (1996), Patrick Fiori’s Patrick Fiori (2002), I Muvrini’s Jalalabad (2002), Sting’s Sacred Like (2003), and Hélène Ségara’s Humaine (2003). He also continuing focusing on film soundtracks, especially that of the Mel Gibson film The Enthusiasm of Christ (2004). Like a single artist, Minassian produced his recording debut using the Doudouk Beyond Edges (1999), a full-length work billed to Lévon Minassian and Close friends that was later on reissued from the Longer Length label in 2003. He also released the record Songs from a global Aside (2006), a cooperation with French composer Armand Amar, on a single label.