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Shleu-Shleu, the Haitian forerunner of what in NYC became Ska-Shah #1, was among the great rings. Their mix of golf swing and delicacy was one cause, but out of this range what sticks out from that pre-funk period is their solid Creole flavor, not only in the melodies however in the wonderful single sax, a method no longer noticed. Here’s a query: Provided the Congo contact in the guitars, who was simply influencing whom?
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Mario Pinheiro
Mário Pinheiro recorded more albums than some other vocalist in his period, from 1902 to …