Leonard Seago

With a final name that appears like a pigeon British description of the trip to the shore, Leonard Seago was a significant part of an early on generation of Texas music artists whose music was nothing at all if not really a foreign melting container. There were not merely Mexican but Bavarian and Eastern Western affects in the music performed by groups like the Tx Playboys, the Melody Wranglers, the Sons from the Western, Revard’s Playboys, Adolph Hofner & the San Antonians, and Ted Daffan’s Texans. Seago performed in every these rings, his fiddle virtuosity simply section of a musical picture that also included vocalizing and periodic rhythm acoustic guitar. Listeners sniffing through choices of classic discographical laundry left out through the ’30s and ’40s will begin to get yourself a whiff of Seago, whose playing using one the 1st recordings of fiddle classics, “Natural cotton Eyed Joe,” can be in itself a significant coup. Seago had not been a founding person in the innovative San Antonio Melody Wranglers, but fiddled around between this music group and the contending Revard’s Playboys through the past due ’30s, when both organizations had been well-established and gigging mightily. An average weekend might involve not merely hundreds of kilometers of driving, maybe over the Mexican boundary, but a choice to wander in one band to some other. At one stage Seago wrangled towards the Revard clothing, changing fiddler Ben McKay. In 1938 Seago was area of the Melody Wranglers’ lineup at a program in which a decision was designed to proceed Hawaiian. Traveling upon this “Hawaiian Honeymoon vacation” with Seago had been some stalwarts from the developing Traditional western swing sound, such as for example metal guitarist Eddie Duncan and reed participant Beal Ruff. Noah Hatley was also among Seago’s regular companions in criminal offense in the traditional Traditional western swing caper referred to as “dueling fiddles.” Adolph Hofner & All of the Boys had been also a favorite group in south Tx in the past due ’30s, however the name quickly advanced into Adolph Hofner & the Texans, after that Adolph Hofner & the San Antonians as the developing Tx music market began sketching lines in the fine sand. Seago turns up on documenting periods by this clothing from early 1940, like the large strike “Maria Elena.” Sizzling hot fiddler J.R. Chatwell ultimately replaced Seago within this group, departing the latter guy absolve to hitch a trip with Ted Daffan, a metal guitar-picking bandleader with a fresh vision of nation & traditional western music for truckers. This upgrading of cowboy music, since truckers certainly are a sort of modern cowboy, would ultimately be set up as some sort of fantastic trust inside the genre, an market that performers can generally fall back again on when everything else fails. Daffan was before his period, and ideally the highway patrol aswell, along with his “Vehicle Driver’s Blues” in 1939. Seago both sings and has on edges Daffan cut in California a couple of years afterwards, and coincidentally therefore will the madcap bandleader Spike Jones, functioning as a program man.