Leon Rosselson is among England’s esteemed songwriters. Most widely known for his politically-edged tune, “The Globe Turned UGLY,” included in Billy Bragg and Dick Gaughan, Rosselson is constantly on the reflect the condition of contemporary Britain through his music. While British paper, the Guardian known as his music “brutal, funny, cynical, outraged, blasphemous, complicated and anarchic,” Folk Root base defined Rosselson as “a sharpened observer, an excellent wordsmith, a author of originality and depth, but primarily, an excellent integrator of phrases and music.” Introducing his profession in the first ’60s, as an associate of folk revivalist group the Galliards, Rosselson seduced international interest when many of his music were featured over the satirical tv program, That Was the Week That Was. A significant break in Rosselson’s bet for success emerged when Bragg’s edition of “The Globe Turned UGLY” reached the United kingdom TOP in 1985. 2 yrs later, Rosselson acquired a minor strike along with his independantly-released one, “Ballad of the Spycatcher,” documented with accompaniment by Bragg as well as the Oyster Music group. Rosselson has continued to be active in an array of mediums. His initial children’s reserve, Rosa’s Performing Grandfather, released in 1991, was shown for the Carnegie Medal. Rosselson provides written music and scripts for Interaction’s Doggs Troupe, Fun Artwork Bus as well as for the stage creation of They Capture Horses, Don’t They, provided on the Crucible Movie theater in Sheffield. As well as socialist magician Ian Seville, Rosselson provides performed in two stage displays. While A Dinosaur in my own Shoe was fond of children, Consider it IN THIS MANNER was even more adult-oriented.