Dutch pianist Leo Cuypers played drums while a kid before switching to piano, even though he attended a conservatory in his hometown of Maastracht for a couple years, he was largely self-taught. Through the 1970s, he performed in the rings of such fellow Dutchmen as pianist Misha Mengelberg and saxophonist Theo Loevendie, but his best-known association was with saxophonist/composer Willem Breuker. Cuypers was an integral member in Breuker’s Kollektief for a lot of the 1970s, and during this time period, both co-founded the BVHaast label (“BVHaast” means “Be quick Inc.,” a mention of the pair’s habit of operating under limited deadlines on the film and theatre music tasks). He also led his personal groups in this period, documenting albums that included Reside in Shaffy (1974), Johnny Rep Collection (1974), and Zeeland Collection (1977). (The second option two were combined for any 1994 CD launch on BVHaast). Cuypers took on a lesser profile through the 1980s and 1990s, as he previously remaining the Breuker Kollektief due to a spat with the first choice and was documenting infrequently by himself. The witty pianist’s profile increased relatively in the past due ’90s/early 2000s, nevertheless, caused by his part in Kevin Whitehead’s in-depth publication within the Amsterdam jazz picture, New Dutch Golf swing, and also from your reissue of his scarce 1981 LP Large Days Are Right here Again within Atavistic’s Unheard Music Series.