Hailing from Ottawa, Canada, Leif Vollebekk is definitely a multi-instrumentalist and singer/songwriter known for his somber, melancholy pop tracks that catch the styles of yearning, long-lost like, and experience. During his years as a child and teenagers, he found out the music of Bob Dylan, Neil Adolescent, and Lou Reed whilst also finding a reference to the writings and functions of Beat Era writers Allen Ginsberg and Charles Bukowski. Having attempted his hands at a variety of tools, he was interested in structure and shaping a music, as opposed to the lyrics; that’s, until he noticed Dylan’s “Basic Twist of Destiny.” Having a newfound obsession for illustrating tales and pictures with terms, he wanted to broaden upon his innovative abilities and going to Iceland to find his Nordic root base. Immersed in the country’s exclusive culture, and tinkering with various kinds of audio and songwriting, he ultimately discovered his sonic palette, referred to as dropping “somewhere among Sigur Rós and Bob Dylan.” Sense at ease this, he came back to Canada, settling in Montreal, and surely got to focus on a cohesive assortment of songs. The effect was Inland, released this year 2010 through Fontana North. The record was commended for successfully revealing the little-known Icelandic nation scene. After marketing the record on tour, then set about focusing on his sophomore work, North Americana. Determined to target a lot more on creating inventive and magnetic lyrics, he also searched for to present an altogether fresh new aural tone towards the record and journeyed to NY to enlist the abilities of engineer Tom Gloady (Ryan Adams, Sigur Rós). The record took some time to record, with Vollebekk keeping periods in Montreal, NEW YORK, and La Frette-sur-Seine in France, painstakingly going right through take after try properly encapsulate the disposition he was looking for. This, partly, was also improved with the addition of Arcade Fireplace violinist Sarah Neufeld. The record was eventually finished and released in 2013 to popular acclaim, and was especially commended for the songwriter’s selection of documenting live to tape. North Americana was successful and garnered evaluations to the task of Ryan Adams and Jeff Buckley. Vollebekk came back in 2016 along with his third work, Twin Solitude, which highlighted usage of the Moog synthesizer and harp shows from Sarah Pagé from the Barr Brothers.