Active because the past due 1970s, Leif Elggren is becoming probably one of the most constantly unexpected conceptual performers to function in the combined worlds of sound and visible. A writer, visible designer, stage performer, and composer, he offers many albums to his credits, single and with the Sons of God, on brands like Ash International, Contact, Radium, and his very own Firework Edition Information. His music, frequently conceived as the soundtrack to a visible set up or experimental stage functionality, usually presents properly selected sound resources over an extended stretch of your time and can range between mesmerizingly quiet consumer electronics to harsh sound. His best-known conceptual task is the base in 1992 from the Kingdoms of Elgaland-Vargaland, which he’s co-regent with Carl Michael Von Hausswolff. Elggren was created in Linkoping, Sweden, in 1950. Adopted at age two, he previously a difficult youth. His interest for sketching helped him to spotlight an objective, and upon arriving old, he spent five years on the Academy of Great Arts in Stockholm, focusing on design and reserve printing. In the past due ‘70s he begun to affiliate with performance groupings, conference people like Hausswolff and Thomas Liljenberg. Using the last mentioned he produced Firework in 1978, a duo that set up exhibitions and shows. Around once he bought a press and began to publish his and his close friends’ artwork books. In 1988, he produced the duo Guds Söner, or the Sons of God with Kent Tankred, whom he previously fulfilled four years before. The duo excels in creating lengthy, puzzling stage shows that give similar tasks to physical actions (or inaction) and soundtrack (live or taped) and make use of basic themes such as for example violence, like, the quotidian, meals, and royalty. Elggren released his 1st 7″ information in 1982 and 1984 on Hausswolff’s label Radium. An initial single LP, Flown Over by a vintage King, arrived in 1988. The inception of Firework Release Information in 1996 allowed Elggren release a even more of his music, as well as the developing popularity of set up artwork in avant-garde music circles (because of its ties with experimental electronica) offers given his function more international publicity in the past due ‘90s. Other crucial solo works consist of Speaking with a Deceased Queen (1996) and Pluralis Majestatis (2000). As well as Hausswolff, Elggren curated the Nordic space in the Venice Biennale in 2001.