In addition to presenting either written, arranged, or conducted for many well known pop artists, Lee Holdridge has penned countless ratings for both Television shows and movies. Blessed in Port-Au-Prince, Haiti (but elevated in Costa Rica), Holdridge began monitoring music at age ten by firmly taking violin lessons using a conductor from the Country wide Symphony Orchestra of Costa Rica. By enough time he was an adolescent, Holdridge chose he wished to turn into a composer, and relocated to Boston to review composition. A couple of years afterwards, he moved once again, this time around to NEW YORK, where Holdridge penned chamber functions, rock compositions, movie theater music, and history scores for movies. His work obtained the eye of Neil Gemstone, who persuaded Holdridge to go to LA and compose for him, which led to numerous strike albums (including both Gemstone and Holdridge collaborating jointly in the film rating for Jonathan Livingston Seagull). This resulted in credit scoring for film and Television, including such films as Splash, Big Business, Mr. Mother, Micki & Maude, 16 Times of Glory, The Additional Side from the Hill, Pt. II, Mustang Nation, The Beastmaster, Jeremy, the Cannes Festival-award-winning Sylvester, A Tigers’ Story, and Un Pueblo del Sol; and it displays Moonlighting, Beauty as well as the Beast, the entire eight-hour remake of East of Eden, The Tenth Guy, Dreamer of Oz, Hallmark Hall of Fame’s One Contrary to the Wind, as well as the Story Woman. This resulted in use such pop performers as Barbra Streisand, Brian Might of Queen, Stevie Question, John Denver, Al Jarreau, Dionne Warwick, Diana Ross, Natalie Cole, and opera tenor Placido Domingo. Over time, Holdridge has released many albums, including Un Pueblo del Sol, the Grammy-award-winning Symphonic Hollywood, Film Music, and Into NOTHING: Loss of life on Everest, amongst others.