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Layton & Johnstone

A piano/vocals duet with heavy classical impact, Layton & Johnstone were staid but good interpreters of American popular tune through the ’20s and early ’30s. They marketed over 10 million information during their period together, a lot of that was spent in Britain (these were perhaps one of the most effective works on Britain’s vaudeville picture). Pianist Turner Layton, delivered in Washington, D.C. in 1894, was the boy of the music instructor, a vaudeville performer by 1920 (sometimes with Henry Creamer), along with a documenting designer (for the exclusive Dark Swan label) just one single year later on. He also made an appearance in musicals (frequently all-black) including Strut, Three Showers, and Miss Liza, after that fulfilled up with Clarence “Tandy” Johnstone in the first ’20s. The set produced their London debut in 1923, extremely in early stages, and performed in the Western End, made an appearance on radio, and documented dozens of information. A few game titles became well-known, including “Bye-Bye, Blackbird,” “River Stay ‘Method From My Door,” and “It Ain’t a Likely to Rain FORGET ABOUT.” The collaboration finished in 1935, when Johnstone was implicated inside a divorce match that triggered a scandal. He came back to America (and obscurity), dying in 1953, while Layton continuing as a favorite soloist. He was also an achieved songwriter, the tunesmith behind “Dear Aged Southland,” “EASILY Could Be ALONG WITH YOU 1 HOUR Tonight,” and “AFTER YOU HAVE Gone.”

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