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Lauderic Caton

b. 31 August 1910, Arima, Trinidad, Western Indies, d. 9 Feb 1999. Cited by some as ‘Britain’s 1st champion from the electrical acoustic guitar’, Caton offered his understanding of that device, first brought in into Britain soon before World Battle II, to legions of college students – a few of whom would become world-famous. Among his most well-known pupils, for just one lesson at least, was the famous guitarist through the Shadows, Hank B. Marvin. After a short spell in Paris and Belgium, dealing with American pianist Ram memory Ramirez, Caton resolved in England in order to flee the Nazis. There he became an integral number in the emergent London jazz picture, playing alongside additional guitar pioneers such as for example Pete Chilver and Dave Goldberg. Primarily he was employed by Cuban pianist Marino Barretto for shows at Mayfair’s Embassy Resort, where he fulfilled his lifelong friend, saxophonist Louis Stephenson, before presenting his guitar in the confines of little Soho night clubs. There, at Jig’s Membership in St. Anne’s Square, he was uncovered at US jazz luminaries Fatty acids Waller and Duke Ellington. Four 78rpm information were subsequently documented at the membership in 1941, acknowledged to band head and trumpeter Cyril Blake – though Caton’s riveting electric guitar lines, quite unlike other things available at that point, were the true attraction. For all of those other battle Caton broadcast frequently on radio as guitarist with clarinettist Harry Parry’s music group. However, more essential in forging his popularity was his tenure at Soho’s Caribbean Membership, as leader of the trio offering pianist Dick Katz and bass participant Coleridge Goode, who afterwards became the nucleus of Ray Ellington’s Quartet. Within this settings Caton recorded several 78s for the Regal Information label. As the reputation of the guitar grew, Caton’s providers as a machine of amplifiers became as popular as his teaching abilities. Nevertheless, although he continuing to teacher sporadically, with the 50s he previously stopped playing electric guitar live, devoting himself to yoga exercises and deep breathing. He continued to be in his level in Bloomsbury, London, encircled by his cherished digital gadgetry and mementoes from the ‘gin mill’ London party picture.

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