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Lattie Moore


Lattie Moore was a nation and hillbilly vocalist/guitarist, an admirer of Gene Autry and Hank Williams whose early high-energy quantities anticipated rock and roll & move in everything but name. Lattie Harrison Moore was created in 1924 in Scottsville, Kentucky, to Dora and Homer Leo Moore — his dad was a cigarette farmer-turned-preacher. The youthful Moore had a pastime in music young and, being a youngster, learned to try out your guitar, mandolin, and upright bass. His initial job away from school was being a projectionist at the neighborhood cinema in Scottsville. As an adolescent, he was a particularly big enthusiast of Gene Autry as well as the latter’s nation & western tunes, and he also adored the task of Roy Acuff, Hank Snow, among others he noticed within the Grand Ole Opry — along with a little bit later on, he added another name compared to that list who arrived ahead of all the others: Hank Williams. At age group 19, he going to Indianapolis, hitchhiking his method to the town where he experienced he had a go at earning money like a musician. He was drafted in to the USA Navy for this period but didn’t stay static in the service lengthy, and Moore was back Indiana by the finish of 1944, playing little clubs along with other small locations. He was also wedded around this period, and later on hosted an area radio show in addition to focusing on the musical part of the act come up with by ageing cowboy celeb Lash LaRue. In 1951, at age group 26, Moore produced his documenting debut within the Arrow label using the solitary “Hideaway Center” b/w “Wedded Problems,” which quickly vanished without a track. At that time he was also broadcasting within the Mid-Western Jamboree on radio from WIBC in Indianapolis because the show’s emcee, and he later on performed an identical function on tv from Bloomington, IN. Moore got another opportunity at documenting in 1952, in Nashville, within the Rate label, where he slice “Juke Joint Johnny,” apparently after auditioning for the top from the label within the sidewalk beyond the Ernest Tubb Record Store. That session, tossed together by maker Frank Innocenti with four music artists — piano, business lead acoustic guitar, bass, and drums — associated Moore (who also performed rhythm acoustic guitar), featured an extremely heavy drum audio, in part to hide the fact the musicians, aside from Moore as well as the business lead guitarist, hadn’t actually learned the music. The effect, wholly unintentionally, was the first rock and roll & roll-style record ever to emerge from Nashville, within the look at of Innocenti, as quoted inside a Sept 2000 article by Expenses Millar for any reissue of Moore’s music. “Juke Package Johnny” was before its period, so much such that it couldn’t have significantly more than local effect, nonetheless it was also included in other performers, including Crimson Sovine. It do do well plenty of to justify Moore’s trimming a second solitary on Rate, “Baby, I’ll Quickly Be Eliminated,” which also do well locally and regionally, though this solitary is at a relatively different, even more familiar honky tonk design. Moore’s recording profession was jump-started in 1953 when he authorized to Syd Nathan’s Ruler Records, that he documented some 25 tunes inside a three-year period, having a music group that included Zeke Turner on business lead electric guitar, Hank Williams alumnus Don Helms on metal electric guitar, and Tommy Jackson on fiddle. During this time period, he also caused Jimmie Logsdon, an excellent friend with whom he co-wrote one melody, “Louisiana Guy Blues.” For all this function, Moore didn’t find any notable strikes one of the half-dozen singles he released on Ruler, nor do he always find his name arrive over the composing credits from the music he composed, a predicament that produced him pretty cynical about doing work for Nathan. By 1956 he was over the Arc label reducing an updated, rock and roll & roll edition of “Joint Joint Johnnie,” in addition to carrying out an EP filled with some Hank Williams music a little afterwards. By 1958 he was agreed upon to Starday Information, training of Beaumont, TX, and shifting between nation and rock and roll & roll, without notable success. The next year, using the involvement of his friend Webb Pierce, he was re-signed to Ruler Information, and he was composing music steadily furthermore to documenting — among his additional function was “Uncontrollable,” which he co-authored with George Jones. But his perhaps most obviously success was included with the 1962 solitary “Drunk Once again,” which became a moderate hit. Through the 1960s, he shifted even more toward straight nation music, abandoning rock and roll & move and rockabilly. He arrived on bills assisting Johnny Money, and cut his personal tracks in addition to those by Ray Pennington and Jerry Reed, amongst others. His departure from Ruler by the end from the 1960s designated the finish of his work with a significant label. He continuing employed in music until health issues swept up with him within the 1980s, including medical procedures for throat tumor in 1986 along with a following bypass procedure. Moore’s name re-emerged amid the explosion appealing in early-’50s rock and roll & move and nation music. In 2000 Westside Information released a 29-music Compact disc of his focus on Ruler and Starday.

Quick Facts

Full Name Lattie Moore
Died June 13, 2010
Music Songs Juke Joint Johnny, I'm Not Broke But I'm Badly Bent, Cajun Doll, Juke Box Johnnie, Drunk Again, Pull Down the Blinds, You Never Looked Sweeter, Why Did You Lie To Me?, Just A-Waitin', Skinnie Minnie Shimmy, Baby I'll Soon Be Gone, Lonesome Man Blues, Under a Mexico Moon, A Brand New Case of Love, Foolish Castles, Driving Nails, It's Good Enough for You, They're Not Worth the Paper They're Written On, Rockabilly Joe's, Too Hot to Handle, What Am I Supposed to Do, Don't Trade the Old for a New, I Gotta Go Home, 100, 000 Women Can't Be Wrong, Just About Then, The Jukebox and the Phone, No Money in This Deal, Honky Tonk Heaven, I'm Gonna Tell You Something, Why Did You Leave Me?, Sundown and Sorrow, I Told You So
Albums I'm Not Broke But I'm Badly Bent: The Best of the King-Starday Recordings 1953-63

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