Among Uwe Schmidt’s many pseudonyms, Lassigue Bendthaus may be the prolific and experimental artist’s electro-industrial task. Parade Amoureuse released the very first Lassigue Bendthaus launch, Matter (later on released in the us by Metropolis). Next, Schmidt relocated his Lassigue Bendthaus task towards the Contempo label, leading to the discharge of Cloned (1992), an recording exploiting the idea of sampling. Cloned: Binary followed the recording, this collection being truly a disassembled edition of Cloned comprising a ridiculous amount of examples that Schmidt desired his listeners to rework. The ultimate Lassigue Bendthaus produces, Render and Render Audible, arrived in 1994 around the KK label. By this time around, Schmidt’s Atom Center task had become remarkably successful, demanding a lot of his interest and effort.
Full Name Uwe Schmidt
Profession Disc jockey, Composer, Programmer, Music Producer, Graphic designer
Music Groups Flanger, HAT
Albums El Baile Alemán, Fiesta Songs, Yellow Fever!, Pop Artificielle, Live at sel i/s/c, Second Nature, Micropossessed, Music Is Better Than Pussy, Gran Baile Con…, Morphogenetic Fields, My Life With Jesus, Trio de Janeiro, Cold Memories, Shellglove, Alien Symphony, 14 Footballers in Milkchocolate, HD, Matter, Interactive Music, Schnittstelle, Descargas, Light Music, Grand Blue, The Engineers Love, Halograms, Winterreise, Plays Just Notes, Atom™ programmiert den Scheiß aus sich raus. Eine populärwissenschaftliche Stückesammlung, Pentatonic Surprise, HD Endless, Stoffwechsel, Experimental Post Techno Swing, Live, Volumes 2 & 3, Standards, Stereococktail, South Pacific, Nobody Knows, Concert At The Palladium Volume 2, [k], Mil Caminos, The Cool Jazz Movement (Remastered), Perdido Vol.2, Perdido Vol.3, The Early Years, Dancers Choice, Mono, From The Cafe Rouge, Concert At The Palladium, Semiacoustic Nature, ), Canteen Bounce