Miguel Angel Hernando, recognized to enthusiasts as Lichis, collection to organizing a fresh band following a separation of Maleza, his earlier group. Wanting to form an organization with a unique audio, a music group that mixed designs and broke all earlier rules, Lichis called his new music group La Cabra Mecánica (The Mechanical Goat). They started carrying out publicly in 1993 and quickly obtained the interest of regional record brands. The band’s debut self-titled disk fulfilled with both essential acclaim and guaranteeing sales. Called by many critics the Revelación del Año and offering much better than 25,000 devices recognized Lichis and his group as performers to watch. Because of La Cabra Mecánica’s effective debut, their record label offered them an innovative carte blanche for the follow-up task. The independence didn’t pay back — their sophomore launch, Cabron, sold less than 3,000 devices, as well as the album’s failing triggered Lichis to consider abandoning the task completely. The group’s third record, manufactured in cooperation with veteran maker Alejo Stivel, premiered in 2001. Vestidos de Domingo was La Cabra’s 1st to property on national graphs in Spain, establishing the band back again on a appealing path. They lay out on the highway for a nationwide tour following disc’s successful discharge. Ni Jaulas, Ni Peceras (2003) continuing within this vein, producing several well-known radio singles such as for example “No Me Llames Iluso.” For the band’s 2005 discharge, Resort Lichis, Hernando experienced an activity of personal reinvention, getting into a trip of physical and mental renewal. After acquiring time to understand all the required musical equipment, Lichis played almost anything on the disk, that was co-produced by Dani Alcocer.