Kyle Creed was raised within the Camp Creek section of the Blue Ridge Mountains in Surrey State, NC, and the spot gave its name towards the string music group he shaped, the Camp Creek Guys, within the 1930s with Fred Cockerman, Paul Sutphin, Ronald Collins, Ernest East, Verlin Clifton, and Roscoe Russell. The Camp Creek Guys, who finished up documenting three albums for the State and Mountain brands in the 1960s, extended on the standard banjo/fiddle/electric guitar string music group configuration with the addition of an additional electric guitar and mandolin, as well as the group’s high-energy undertake traditional Appalachian dance reels was extremely influential through the old-time music revival from the 1960s. Creed was a superb clawhammer banjo participant and his clean, bell-like shade and soft syncopated style have already been very much imitated. He also constructed banjos, reportedly also selling them from the trunk of his car, and first Kyle Creed banjos are actually heavily searched for by enthusiasts, although, as much have observed, they sounded far better when it had been Creed who was simply playing them. Creed ultimately settled within the Galax, VA, region, known for both its banjo and fiddle players. He went a shop there and constructed a small documenting studio close to it, and also ran his very own record label for a while. Apart from his use the Camp Creek Guys, Creed released periodic sides offering his banjo and fiddle playing, like the wonderful Liberty, that was released on cassette by Bobby Patterson’s Traditions Information in 1977 and it has since turn into a very much sought-after collector’s item. Creed passed on in 1982. His impact around the old-time music community was enormous, and traces of his unique banjo design can be heard within the playing of a variety of banjoists employed in contemporary string rings.