Pianist Kuroda Kyoko was created in Tokyo and began performing piano as a kid, learning classical music until she was 17. During university, she became thinking about traditional Japanese theatre and performed Noh music, an application that continuing to impact her. In 1982, Kyoko started playing jazz, beneath the teaching of Aki Takase, with whom she examined for just two years. By the end of this period, she started functioning skillfully, and by 1986, acquired formed her very own quartet, BAHR, which continued to be together for the year-and-a-half. From nov 1987 until 1990, Kyoko aimed ORT, a musical workshop with individuals such as for example turntablist Otomo Yoshihide, and a visitor functionality by Kazutoki Umezu at ORT’s last concert (Kyoko participated in Umezu’s Oshigoto task the following calendar year). ORT acquired a live, self-titled 1988 cassette documenting, in addition to 1990 studio record, Brecht a la Machine. By enough time ORT dissolved, Kyoko acquired begun performing single, with Akira Sakata’s music group Mitochondria with Sachi Hayasaka’s music group Stir Up, which includes worked with music artists including Ned Rothenberg. Kyoko proved helpful and documented in these configurations, and toured Germany double with Mix Up, showing up at songs venues and celebrations like the Moers New Jazz Festival. Still an associate of Mix Up, Kyoko started leading her very own trio in 1993. She also caused Tetsu Saitoh, Tenko, and vocalist Koichi Makigami through the early ’90s. The middle-’90s discovered her working once again with Otomo Yoshihide on several tasks, including improvised accompaniment to silent films, and performing on the documenting of Yoshihide and Australian experimental violinist Jon Rose. In 1995, she performed as musician and prompter in John Zorn’s Cobra. With the ’90s, Kyoko was also mixed up in Trunk Movie theater group, as both music movie director and musician.