Germany’s Konrad Junghänel identifies himself primarily like a lutenist, and it had been in that capability that he initial became known for sheer virtuosity coupled with mastery of design and ornamentation technique. His lute repertory, devoted to the German Baroque criteria of Silvius Leopold Weiss (whose comprehensive works he provides recorded to vital and prize-committee acclaim) and J.S. Bach, quantities some 100 parts, and he provides offered as soloist or within the continuo group (on several stringed equipment, including theorbo) with top-level historical-performance groupings such as for example La Petite Bande and Les Arts Florissants, aswell as his hometown Musica Antiqua Köln. Junghänel is normally unusual for the reason that he’s among the few lutenists to help make the leap to performing. He founded the group Cantus Cölln in 1987 and provides pursued the purpose of discovering neglected choral repertory from the Great Baroque; his Trauer Actus documenting of the funeral cantata with the fresh Telemann in 2002 gained particular acclaim, and he continues to be mostly of the conductors discovering the extreme and relatively experimental choral music of Buxtehude. Junghänel is among the leading German adherents from the one-voice-per-part practice in executing choral music from the German Baroque pioneered by American conductor Joshua Rifkin; his Harmonia Mundi documenting of Bach’s Mass in B minimal, BWV 232, adopts that approach. Junghänel provides emerged being a conductor in the growing field of Baroque opera, aswell, offering as conductor in Was liegt perish Stadt therefore wüste, the innovative staging by Herbert Wernicke of music by Schütz, aswell as even more explicitly operatic functions such as for example Cavalli’s La Calisto. He is a person in the faculty on the State College or university for Music in Cologne since 1994.