Kiril Petrovich Kondrashin was internationally the best-known conductor from the Soviet Union as well as the most prominent someone to emigrate from that nation. He was known for energetic and solid shows of a broad repertory, specially the Russian experts. He was raised with music, as his family members included many orchestral music artists. He got piano lessons, as well as the family members got him lessons in musical theory on the Musical Teknikum with Nikolai Zhilyayev, who got a strong impact on him. While still students, he produced his performing debut in 1931 on the Children’s Movie theater. He inserted the Moscow Conservatory in 1934, where he researched performing with Boris Khaikin. He graduated in 1936, but at that time got obtained employment as associate conductor on the Nemirovich-Danchenko Music Theatre in 1934, debuting using the operetta Les cloches de Corneville by Planquette. In 1936 he was conductor in the Maly Opera Theatre in Leningrad, keeping that post until 1943. And also other artists who have been deemed vital that you the war work, he was evacuated from besieged Leningrad following the German invasion of Russia. In 1943, he joined up with the conducting personnel from the Moscow Bolshoi Theatre, that was also inside a wartime house beyond your capital. He continued to be using the Bolshoi until 1956, producing proclaimed improvement in his interpretation. In the meantime, a demand was building for him being a concert conductor. He received Stalin Awards in 1948 and 1949. When he still left the Bolshoi, it had been with the purpose of centering his profession in the podium instead of within the pit. His popularity grew significantly in 1958, when he led the orchestra within the prizewinning performances of American pianist Truck Cliburn on the Tchaikovsky International Competition. Cliburn charmed both his house nation and his Russian hosts, as well as the ensuing LP record from the Tchaikovsky First Piano Concerto, executed by Kondrashin, was a long-time greatest seller. This resulted in his American and United kingdom debuts, producing Kondrashin the very first Soviet conductor to surface in the U.S. In 1960 he was called artistic director from the Moscow Philharmonic, and therefore participated in another piano concerto blockbuster documenting using a U.S. piano superstar, the fantastic Prokofiev Third Concerto documenting for Mercury with Byron Janis, still regarded by many the best interpretation of this brilliant focus on disk. Kondrashin’s performances had been shiny and dramatic, maintaining programmatic interpretations that commentators noticed because the legacy of his movie theater profession. He was the U.S.S.R.’s finest interpreter of Mahler, leading all of the symphonies with uncommon restraint and with the expressive and dramatic characteristics from the music apparently improved by understatement. He still left the Moscow Philharmonic in 1975, embracing guest conducting. Due to high demand beyond your U.S.S.R., he made a decision to emigrate in 1978. He was called permanent conductor from the Amsterdam Concertgebouw in 1979, and instantly began creating a notable group of recordings together, but died for the reason that town only 2 yrs later.
|1||He was the conductor for pianist Van Cliburn's famous 1958 recording of Tchaikovsky's "Piano Concerto No.1", the work which enabled Cliburn to win the Tchaikovsky Piano Competition in 1958.|
|Les vendredis d'Apostrophes||2015||TV Movie documentary performer: "Concerto pour piano no1" - as Kyril Kondrashin|
|La ley del deseo||1987||performer: "Sinfonia 10" - as Kirill Kondrachine|
|Proof||1980||Short performer: "Symphony No. 8 in C. Minor. Op 63"|
|Concert of Stars||1953||Documentary musical director - as K. Kondrashin|
|The Great Glinka||1946||conductor - as K. Kondrashin|
|Concert of Stars||1953||Documentary as K. Kondrashin|
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