Based in LA but originally from Kansas City, MO, guitarist Kimberly “KC” Allison is really a blues-oriented instrumentalist with a multitude of influences–many in the blues, however, many from the areas of music. Even though versatile, broad-minded Allison includes a blues orientation, she actually is in no way a blues purist; not really everything she performs adheres to a normal 12-club blues framework, and her function owes too much to rock and roll, spirit, funk and jazz in addition to different varieties of blues. Allison’s electric guitar playing continues to be greatly inspired by BB Ruler, Albert Collins, T-Bone Walker as well as other blues symbols, and she displays a knowledge of both Tx and Chicago blues customs. But there’s also components of Jimi Hendrix (probably the first accurate heavy steel/hard rock and roll musician), Jeff Beck and Stevie Ray Vaughan in her playing, and she obviously has a solid understanding of jazz–not just jazz-rock fusion improvisers like John Scofield, Larry Coryell and Mahavishnu Orchestra founder John McLaughlin, but additionally, straightahead bop favorites such as for example Kenny Burrell, Offer Green, Wes Montgomery and Joe Move. Allison, actually, has a level in jazz electric guitar from the School of Southern California (USC) and could have no problem being truly a full-time jazz instrumentalist if she made a decision to move around in that direction–she certainly gets the chops as well as the way of it. But rather, the Southern California resident offers opted to include jazz instead of concentrating on it specifically. Allison’s eclectic perspective is among her solid points; her capability to move from a hardcore, intense blues-rock groove to a far more cerebral, fusion-minded method of the casual soul-jazz/hard bop quantity has designed for some extremely unstable albums. Allison, would you significant amounts of music teaching in Southern California, released her 1st album, Aged, New, Lent and Blues (which presented a Tx vocalist referred to as Mister Blues) on her behalf personal label, Starliner Music, in 2001. Allison’s totally instrumental sophomore recording, Beyond Blue, arrived on Starliner in 2004.