Nashville, NY, and LA all body prominently in to the music scenery that singer/songwriter Kevin Montgomery paints along with his high lonesome tone of voice and heartfelt lyrics. As the kid of Pal Holly’s musical partner and Elvis Presley’s back-up singer, Montgomery acquired little choice when it concerns his musicality. With this bloodline, the type angle is protected pretty well. For the nurture aspect, developing up in Nashville established the rootsy Americana audio as the foundation of Montgomery’s function, while busking in subways provides New York’s sly, street-smart sensibilities towards the combine. The wide-open, sun-filled skies of LA top everything off with an optimism and melodicism similar to Jackson Browne. Montgomery produced a solid debut in 1993 with Dread Nothing at all on A&M Information. It showcased a talent with apparent potential, gained him slot machines fronting for labelmate Sheryl Crow and David Crosby, and garnered limited airplay on Triple-A radio. With this basis, Montgomery bounced around for quite some time before departing A&M. He got himself onto several compilation discs, like the Friend Holly tribute Not really FADE where he duets with Mary Chapin Carpenter. Montgomery also required a while to collaborate with people like Lee Ann Womack, Cindy Alexander, Rodney Crowell, and Anna Wilson. Both Martina McBride and Juice Newton searched for Montgomery’s tunes to protect. In 2000, Another Very long Story found light in the U.K. and European countries. A great assortment of Montgomery’s most powerful work however, it captured Paul McCartney’s hearing and got Montgomery asked to perform in the previous Beatles’ annual Friend Holly birthday event in London. His recognition overseas continues to be further verified by the many television shows and sold-out concerts loved on every check out. To fully capture the experience of his acoustic Western shows, Montgomery documented Kevin Montgomery Live at Nashville’s famous Bluebird Café in 2001. Also released in 2001 was the EP Color which includes a duet with Trisha Yearwood within the aptly entitled “Tennessee Woman.” That monitor was chosen from the BBC as their lead-in towards the CMA Awards.